Kim Ann Foxman is frustrated with the norm. Over the last two years she has been incubating and writing furtively. But having recently remixed (amongst others) The xx, and also collaborated with Maya Jane Coles, and Nick Anthony Simoncino’s alias Ron Jason, 2014 is now is the perfect time for Foxman to unfurl into her own space. “I’ve been having a lot of fun by making the production more about the process and events than ever before. I’ve not been afraid to get really weird and experimental which has made things really exciting, and it keeps things fresh. I’m creating my own samples and putting a lot of care into it, creating special moments, creating my own adventures ”
This is a girl ready to put New York back on the dance map with a vivacious approach to producing and sharing music. “I’m physically having so much fun making music. I want my label to represent
music that isn’t linear boring shit. Firehouse will be super-dynamic, gorgeous and weird.”
Guardians of credibility and creativity such as Kim Ann Foxman need to be protected and propelled. She is a rare visionary who yearns to celebrate the golden era of authentic dance music whilst feeding from her fluid understanding of its imminent and intriguing future.